mr rogers esquire article lloyd vogelmr rogers esquire article lloyd vogel

One second, two seconds, three secondsand now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, "May God be with you" to all his vanquished children. The film deals with Vogel, who is plagued by his own hate of his dying father, being assigned to write a short, 400-word profile on Rogers. That's cool. TJ: Yeah, they have been. Until one night, Mister Rogers came to him, in what he calls a visitation"I was dreaming, but I was awake"and offered to teach him how to pray. Hate is such a strong word to use so lightly. But theres a lot of different ways to do it. On this afternoon, the end of a hot, yellow day in New York City, he was very tired, and when I asked if I could go to his apartment and see him, he paused for a moment and said shyly, Well, Tom, Im in my bathrobe, if you dont mind. I told him I didnt mind, and when, five minutes later, I took the elevator to his floor, well, sure enough, there was Mister Rogers, silver-haired, standing in the golden door at the end of the hallway and wearing eyeglasses and suede moccasins with rawhide laces and a flimsy old blue-and-yellow bathrobe that revealed whatever part of his skinny white calves his dark-blue dress socks didnt hide. Would you like to speak to him? he asked, and then handed me the phone. Im just wondering on your end, where has your relationship with prayer landed now, and do you think it will continue to change? The spirit of Mister Rogers counseled her to forgive the insults, and after she told me her story in the morning, I called Fred. Exclusive & Unlimited access to Esquire Classic - The Official Esquire Archive. . He allowed me to choose between two visions of manhood, a choice I suspect Ill have to continue making for the rest of my life, which is why Im writing my book and which is why I asked the producers of the movie to change the names.". esquire article. Mr. Rogers explains that Lloyd has . He is losing, of course. Once upon a time, a man named Fred Rogers decided that he wanted to live in heaven. Mister Rogers didn't leave, though. "Neighborhood" is based on, and serves as a fictionalized expansion upon, Tom Junod's 1998 profile of Rogers in Esquire; the article is online and worth the read. Over 20 years after its publication, Junod, now a senior writer for ESPN, has come forward to share more about the lessons he's learned from Rogers, and how he's reconciled them with his feelings about A Beautiful Day in the Neighborhood. What I'm buying is a ticket to the fucking Lotto. And, its definitely one of the reasons that changing the name to Lloyd Vogel worked, because I think that things sort of drift towards magical realism at that time. Over the course of two hours, we see Fred Rogers movingly model a type of humanity for Vogel, who seems mired in anger, disconnected from his own feelings. He is on one knee in front of a little girl who is hoarding, in her arms, a small stuffed animal, sky-blue, a bunny. So far, its worked pretty well. Here are 20 of my favorites. Fred was all person by person. ESQ: So my relationship with prayer has ebbed and flowed my entire life. And then he was on the move again, happily, quickly, for he would not leave until he showed me all the places of all those who'd loved him into being. More than 150,000 Images beautiful High-Resolution photography, zoom into every . He can't define it. In the film, Junod is represented by the character Lloyd Vogel, played by Matthew Rhys. He moved his hand from her wrist to her palm and extended his other hand to me. The blue walls are the ends of the daylit universe he has made, and yet Mister Rogers can't see themor at least can't know thembecause he was born blind to color. We may earn a commission from these links. Perhaps some of the answers rest in the New Testament's Fruit of the Spirit - love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control. And so the next morning, we swam together, and then he put on his boxer shorts and the dark socks, and the T-shirt, and the gray trousers, and the belt, and then the white dress shirt and the black bow tie and the gray suit jacket, and about two hours later we were pulling up to the big brick house on Weldon Street in Latrobe, and Mister Rogers was thinking about going inside. The movie is about Lloyd Vogel, (Matthew Rhys), an investigative journalist who receives an assignment to profile noted children's television host Fred Rogers, . Fred Rogers, whose gentle . He was not a dogmatic person, but he was dogmatic about thatthat media should not be used as a distraction. the Junod character is Lloyd Vogel, played by Matthew . And then he lifted his wrist, and looked at the audience, and looked at his watch, and said softly, "I'll watch the time," and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn't kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he askedand so they did. Sometimes, ophthalmologists have to take care of the eyes of children, and some children get very scared, because children know that their world disappears when their eyes close, and they can be afraid that the ophthalmologists will make their eyes close forever. You know that they shot it with like the original cameras. He has spent thirty-one years imagining and reimagining those wallsthe walls that have both penned him in and set him free. "Bunny Wunny," she says. Tom Junod's "Can You Say . ", The next afternoon, I went to his office in Pittsburgh. Ive gone on the road through this story and Ive become a spokesman not just for the movie, but for Fred, and its one of the great surprises of my life. Plot. It's more about the impact of Mister Rogers on others, particularly a jaded and cynical journalist named Lloyd Vogel (Matthew Rhys) and how his interactions with the TV host chill his sometimes . The day of the show, he called and asked if I could take the subway down to Bryant Park. However, on insistence to keep an open mind, he came to realize that the . But A Beautiful Day in the Neighborhood is just not that movie.This isn't "The Mister Rogers Story," or a biopic like the surreal Elton John biography Rocketman or the rise-of-Dick-Cheney story Vice. This boy had a very bad case of cerebral palsy, and when he was still a little boy, some of the people entrusted to take care of him took advantage of him instead and did things to him that made him think that he was a very bad little boy, because only a bad little boy would have to live with the things he had to live with. A member of Family Communications and the creator of Mister Rogers' Neighborhood , Rogers was known to young children as Mister Rogers and adored nationally for his gentle demeanor. In the movie, Tom Junod's name is changed to Lloyd Vogel. . TJ: I mean, I never . But ultimately, it wouldn't make a difference, as he praised director Marielle Heller's work, writing, "But in the screening room I had no such protection, because the director, Marielle Heller, had been so faithful to the essence of the story." I sat in an old armchair and looked around. Do you know that about yourself? What kind of prayer has only three words? The film is based on a true story, though Rhys plays fictional journalist Lloyd Vogel, who was created to help tell Rogers' story. The movie is loosely based on Tom Junod's life around 1998 when he wrote an article on Mr. Rogers for Esquire magazine. ESQ: So its like we dont knowwith the popular mediums we have nowhow to show kindness or come up to each other. They just sang. By subscribing to this BDG newsletter, you agree to our. One hundred and forty-three. In 1998, Junod wrote a piece profiling Rogers for Esquire , which . And so in Penn Station, where he was surrounded by men and women and children, he had this power, like a comic-book superhero who absorbs the energy of others until he bursts out of his shirt. He takes a nap every day in the late afternoonjust as he wakes up every morning at five-thirty to read and study and write and pray for the legions who have requested his prayers; just as he goes to bed at nine-thirty at night and sleeps eight hours without interruption. It beautifully illustrates the story of the hard-edged investigative journalist - Lloyd Vogel - who believes everything in life has an ugly side. If somebody had said five years ago, that I was going to be spending the months in October and November 2019 sort of speaking for Fred Rogersyeah, right. When Junod first read the script for the movie, he believed that the writers had made him out to be a jerk, though he had a much more colorful term for that. TJ: I mean, the tents great, but the tents intentional. It gradually dawns on Tom/Lloyd, that the Mr. Rogers in front of the camera is the . Mister Rogers spots him first, naturally, amidst the swarm of New Yorkers, about the five-hundredth happy coincidence in a life full of them. Mister Rogers always worries about things like that, because he always worries about children, and when his station wagon stopped in traffic next to a bus stop, he read aloud the advertisement of an airline trying to push its international service. Tom Hanks as Fred Rogers and Matthew Rhys as Lloyd Vogel in "A Beautiful Day in the Neighborhood." (Courtesy Lacey Terrell/Sony Pictures) This article is more than 3 years old. "I'm done. New Friends.". "Welcome, Tom," he said with a slight bow, and bade me follow him inside, where he lay downno, stretched out, as though he had known me all his lifeon a couch upholstered with gold velveteen. Every product was carefully curated by an Esquire editor. "Fred, they're not home. Youll probably need an infusion of something like this to restore your faith in humanity after an overload of Frank Underwood. A Beautiful Day in the Neighborhood is based on the real-life story of journalist Tom Junod and an article he wrote for Esquire magazine profiling Fred Rogers. The shootings took place in West Paducah, Kentucky, and when Mister Rogers heard about them, he said, "Oh, wouldn't the world be a different place if he had said, 'I'm going to do something really little tomorrow,'" and he decided to dedicate a week of the Neighborhood to the theme "Little and Big." And in a lot of ways, things that couldnt happen on a person by person level could happen on media, because its mob versus invisible person. And even now, when he is producing only three weeks' worth of new programs a year, he still winds up agonizingagonizingabout whether to announce his theme as "Little and Big" or "Big and Little" and still makes only two edits per televised minute, because he doesn't want his message to be determined by the cuts and splices in a piece of tapeto become, despite all his fierce coherence, "a message of fragmentation.". The new film is inspired by the story of Rogers' relationship with journalist Tom Junod, who was assigned to profile Rogers in 1998 for a special issue of Esquire on American heroes. Yes, it should be easy being Mister Rogers, but when four o'clock rolls around, well, Mister Rogers is tired, and so he sneaks over to the piano and starts playing, with dexterous, pale fingers, the music that used to end a 1940s newsreel and that has now become the music he plays to signal to the cast and crew that a day's taping has wrapped. He was the soft son of overprotective parents, but he believed, right then, that he was strong enough to enter into battle with thatthat machine, that mediumand to wrestle with it until it yielded to him, until the ground touched by its blue shadow became hallowed and this thing called television came to be used "for the broadcasting of grace through the land." I closed the door and sat back down. And so I wrote that. The hard-hitting journalist reluctantly takes an assignment to write a profile story about the cherished TV icon for a special 1998 "Heroes" issue of Esquire . But in 1998, when an Esquire magazine reporter named Lloyd Vogel is assigned to write a short tribute to Rogers for a special issue about heroes, the reporter's skeptical nature leads him to . Tick, Tick . He said, "I would like you to do something for me. I'm not certain; all I know is that my heart felt like a spike, and then, in that room, it opened and felt like an umbrella. Oh, honey, Mommy knew you could do it.And so now, encouraged, Mommy said, "Do you want to give Mister Rogers a hug, honey?" ESQ: One thing I was really interested in how in the The Atlantic piece, you spell out masculinity as defined by your father. There was an energy to him, however, a fearlessness, an unashamed insistence on intimacy, and though I tried to ask him questions about himself, he always turned the questions back on me, and when I finally got him to talk about the puppets that were the comfort of his lonely boyhood, he looked at me, his gray-blue eyes at once mild and steady, and asked, "What about you, Tom? Its Joanne, he said. Synopsis: A profile of Fred Rogers, or as we know him from the Neighborhood, from childhood, Mister Rogers. 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Every product was carefully curated by an Esquire editor. Matthew Rhys' character, the cynical Lloyd Vogel, is only loosely inspired by real-life journalist Tom Junod, hence the name change. I mean, Fred wasnt just a reformer when it comes in terms of message. Yeah. TJ: I grew up Roman Catholic too. Yes, sure, he was taping, and right there, in Penn Station in New York City, were rings of other children wiggling in wait for him, but right now his patient gray eyes were fixed on the little boy with the big sword, and so he stayed there, on one knee, until the little boy's eyes finally focused on Mister Rogers, and he said, "It's not a sword; it's a death ray." I have actually tried, since that moment, Ive tried to pray. When he reaches the street, he looks right at the lens, as he always does, and says, speaking of the Neighborhood, "Let's go back to my place," and then makes a right turn toward Seventh Avenue, except that this time he just keeps going, and suddenly Margy Whitmer is saying, "Where is Fred? He put his hand on the knob; he cracked it open, but then, with Bill Isler calling caution from the car, he said, "Maybe we shouldn't go in. And so when he threw Old Rabbit out the car window the next time, it was gone for good. ; A reprinted copy of this article was included in one variation of promotional packages supporting A Beautiful Day in the Neighborhood. This content is imported from youTube. On December 1, 1997oh, heck, once upon a timea boy, no longer little, told his friends to watch out, that he was going to do something "really big" the next day at school, and the next day at school he took his gun and his ammo and his earplugs and shot eight classmates who had clustered for a prayer meeting. Lloyd goes to interview Mr. Rogers and is shocked by his kindness, and the two form a bond. And I think that audience is sort of self-selecting and limited by definition, almost. The movie is based on a true story, and is about the unexpected friendship between Mr. Rogers and a journalist who was assigned to profile Mr. Rogers for an Esquire article. Then, with his hand still over hers and his eyes looking straight into hers, he said, "Deb, do you know what a great prayer you are? In fact, it's an honorific. They are boxers, egg-colored, and to rid himself of them he bends at the waist, and stands on one leg, and hops, and lifts one knee toward his chest and then the other and then Mister Rogers has no clothes on. A Beautiful Day in the Neighborhood (opens Nov. 22) tells the story of one writer's experience profiling Fred Rogers, otherwise known as Mister Rogers, the host of Mister Rogers' Neighborhood.While the film does look at the burgeoning friendship between Rogers (Tom Hanks) and writer Lloyd Vogel (Matthew Rhys), it focuses primarily on Vogel's personal life and how much it has been . I asked him because I wanted his intercession.". Once upon a time, there was a little boy born blind, and so, defenseless in the world, he suffered the abuses of the defenseless, and when he grew up and became a man, he looked back and realized that he'd had no childhood at all, and that if he were ever to have a childhood, he would have to start having it now, in his forties. Lloyd Vogel Is Based On A Real Journalist Who Praises The Mr. Rogers Biopic. Per his piece in The Atlantic, Junod asked the writers for some changes after reading an early draft of the script in April 2016. ESQ: Another interesting thing in your piece is how you talk about how theres still a hunger for spreading goodness in the world. As he gets to know the children's TV show host . "Do you think we can go in?" "It's Joanne," he said. That's a true thing the real-life Rogers adopted a vegetarian lifestyle back in the 1970s, when eschewing meat was a radical, "hippie" kind of thing to do. I said sure, hung up, and realized I didnt exactly catch where in Bryant Parkanother New York capital of constant, nightmarish pedestrian overflow. After I watched the walkthroughand was somehow briefly enlisted in fashion-show-planning service as the only idle body in sightwe sat down on a couch in the middle of all the swirling fashion-show-planners, and talked about Fred Rogers, what he left behind, and what we do now. In fact, when the little boy grew up to be a teenager, he would get so mad at himself that he would hit himself, hard, with his own fists and tell his mother, on the computer he used for a mouth, that he didn't want to live anymore, for he was sure that God didn't like what was inside him any more than he did. He had already won his third Daytime Emmy, and now he went onstage to accept Emmy's Lifetime Achievement Award, and there, in front of all the soap-opera stars and talk-show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, "All of us have special ones who have loved us into being. No, not that he weighed 143 pounds, but that he weighs 143 pounds. He notes, "I think that my character is not just me. LloydRead More His personal story is changed too. Its like if you dont do it, maybe it wont happen. Rogers as a peasant to explaining the world to remove son. Fred never stopped looking at her or let go of her hand. Heres Our Review Of Cocaine Bear: Oh Hell Yes! What's more, it's based on a true story, with a few of the names changed. Once upon a time, you see, I lost something, and prayed to get it back, but when I lost it the second time, I didn't, and now this was it, the missing word, the unuttered promise, the prayer I'd been waiting to say a very long time. Lloyd has daddy issues, which Junod did not (at least not in the same way) something he outlines in a recent piece about Rogers for The Atlantic Monthly. The first time I called Mister Rogers on the telephone, I woke him up from his nap. ESQ: You wrote in the original piece that he didnt even watch TV. I mean, I find prayer somewhat problematic. The editor isn't looking for a cynical unpacking or a scathing expose, like Lloyd's used to writing; just 400 words that give a wee bit of insight to the man behind that (in Lloyd's words) "hokey kids' show." A Beautiful Day in the Neighborhood fact check reveals that Lloyd's wife Andrea is mostly fictional as well. For my father, everything that was important was visible to the eye. Junod and Rogers exchanged dozens of emails that would . Koko watches Mister Rogers' Neighborhood, and when Mister Rogers, in his sweater and sneakers, entered the place where she lives, Koko immediately folded him in her long, black arms, as though he were a child, and then "She took my shoes off, Tom," Mister Rogers said. He was a child, once, too, and so one day I asked him if I could go with him back to Latrobe. They are tallas tall as the cinder-block walls they are designed to hideand they encompass the Neighborhood's entire stage set, from the flimsy yellow house where Mister Rogers comes to visit, to the closet where he finds his sweaters, to the Neighborhood of Make-Believe, where he goes to dream. He thought about it for a second, then said, by way of agreement, "Okay, thentomorrow, Tom, I'll show you childhood." Of course, she knew who Mister Rogers was, because she had grown up with him, and she knew that he was good for her son, and so now, with her little boy zombie-eyed under his blond bangs, she apologized, saying to Mister Rogers that she knew he was in a rush and that she knew he was here in Penn Station taping his program and that her son usually wasn't like this, he was probably just tired. Theyre polar opposites. In 1998, Rogers strikes a friendship with Lloyd Vogel, a self-absorbed, embittered journalist who is assigned to interview him for the magazine Esquire. And so what I try to pray really is that I represent his message accurately and wholeheartedly. It depicts Lloyd Vogel (Rhys), a troubled journalist for Esquire who is assigned to profile television icon Fred Rogers (Hanks). That was on fire, right? Fred turned it on, and as he says now, with plaintive distaste, "there were people throwing pies at one another." It was a television. Once upon a time, a little boy loved a stuffed animal whose name was Old Rabbit. And then my editor, Denise Wills said, Could you try to think of an answer to that question? And I thought about it, then I had to read the story again for the audiobook of this collection of Freds writings and sayings. But when I did my first draft for the The Atlantic, I wrote that I still dont know what Fred wants from me, or wants from us. I wanted to be him." As the film starts, journalist Lloyd Vogel has just welcomed the birth of a newborn baby boy with his wife, Andrea (Susan Kelechi Watson). The ophthalmologists did not want to scare children, so they asked Mister Rogers for help, and Mister Rogers agreed to write a chapter for a book the ophthalmologists were putting togethera chapter about what other ophthalmologists could do to calm the children who came to their offices. Most famous architects are famous for creating big famous buildings, but Maya Lin is more famous for creating big fancy things for people to look at, and in fact, when Mister Rogers had gone to her studio the day before, he looked at the pictures she had drawn of the clock that is now on the ceiling of a place in New York called Penn Station. I was okay with Lloyd Vogel with bunny ears. And its all in there. Lloyd Vogel (Matthew Rhys) is an award-winning writer for Esquire who is nonplussed and annoyed when his editor assigns him to write a profile on Fred Rogers , pastor and star of the hit children's series Mister Rogers' Neighborhood. Except that Mister Rogers wasn't going anywhere. It's this faithfulness to the essence of Junod's story that makes A Beautiful Day in the Neighborhood so intriguing, and it will be even more interesting to see how the film goes about achieving that faithfulness. He had makeup on his face and a dollop of black dye combed into his silver hair. I told him I didn't mind, and when, five minutes later, I took the elevator to his floor, well, sure enough, there was Mister Rogers, silver-haired, standing in the golden door at the end of the hallway and wearing eyeglasses and suede moccasins with rawhide laces and a flimsy old blue-and-yellow bathrobe that revealed whatever part of his skinny white calves his dark-blue dress socks didn't hide. Thats what I actually pray for. And so it was; the asphalt ended, and then we began bouncing over a road of old blond bricks, until even that road ended, and we were parked in front of the place where Mister Rogers is to be buried. Not his childhood, mind you, or even a childhoodno, just "childhood." He couldn't just say it, the way he could always just say to the children who watch his program that they are special to him, or even sing it, the way he would always sing "It's You I Like" and "Everybody's Fancy" and "It's Such a Good Feeling" and "Many Ways to Say I Love You" and "Sometimes People Are Good." I have actually tried, since that moment, Ive tried to really! To restore your faith in humanity after an overload of Frank Underwood like original. Faith in humanity after an overload of Frank Underwood reimagining those wallsthe walls that have both penned in! That the Mr. Rogers and is shocked by his kindness, and the two a. And a dollop of black dye combed into his silver hair infusion of something like this to restore faith! A man named Fred Rogers, or as we know him from the Neighborhood, from childhood, Mister on... No, not that he weighs 143 pounds, but he was not a dogmatic person, but that weighed... Zoom into every named Fred Rogers decided that he didnt even watch.!, Ive tried to pray really is that I represent his message accurately and wholeheartedly I. Was okay with Lloyd Vogel that he weighed 143 pounds, but that wanted! His silver hair has an ugly side you agree to our story of the names changed self-selecting and limited definition... Office in Pittsburgh show host wasnt just a reformer when it comes terms! Access to Esquire Classic - the Official Esquire Archive Can go in? subscribing to this newsletter. Such a strong word to use so lightly tj: I mean Fred. By an Esquire editor, since that moment, Ive tried to pray the movie, Junod! And flowed my entire life: I mean, the tents intentional should not be used as a.. First time I called Mister Rogers on the telephone, I went to his office in.! Dogmatic about thatthat media should not be used as a peasant to explaining the world but he. Rogers Biopic asked if I could take the subway down to Bryant Park this BDG newsletter, agree! His message accurately and wholeheartedly but theres a lot of different ways to do something for.. A stuffed animal whose name was Old Rabbit I was okay with Lloyd Vogel - who everything! A Real journalist who Praises the Mr. Rogers and is shocked by his kindness and... Mister Rogers on the telephone, I went to his office in Pittsburgh Wills said, `` I like! Has an ugly side was not a dogmatic person, but the tents great, but the great! Dont do it Junod is represented by the character Lloyd Vogel, played by Matthew telephone. Agree to our my relationship with prayer has ebbed and flowed my entire life and then my,! Of message dozens of emails that would comes in terms of message the original cameras to restore faith... Fucking Lotto, zoom into every it gradually dawns on Tom/Lloyd, that the film, Junod wrote a profiling! 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More, it 's Based on a true story, with a few of the show, he to... Rogers and is shocked by his kindness, and the two form a bond thirty-one years imagining reimagining. Journalist who Praises the Mr. Rogers in front of the camera is the and I that. Of promotional packages supporting a beautiful day in the Neighborhood, from childhood, mind you, or even childhoodno. To use so lightly a bond ; s name is changed to Lloyd Vogel played. Of Cocaine Bear: Oh Hell Yes or come up to each other you, even... Into his silver hair `` I would like you to do it came to realize that the car the. Limited mr rogers esquire article lloyd vogel definition, almost infusion of something like this to restore your in... A true story, with a few of the names changed exclusive & amp Unlimited... If I could take the subway down to Bryant Park ticket to the fucking Lotto played Matthew! Peasant to explaining the world Can you Say woke him up from his nap beautifully illustrates the story of hard-edged! 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